Wednesday, 2 November 2011

Charity Exhibition for Mary's Meals

Boulder Field, Beinn Narnain
Oil on Canvas
55cm x 80cm
Boulder Field, Beinn Narnain (detail)
I'm exhibiting this oil painting at House for An Art Lover this week (until 7th November 2011) as part of the excellent charity exhibition for Mary's Meals, which feeds hungry children the world over.

The scene looking to Ben Ime from Beinn Narnain in the Arrochar Alps, having to navigate the boulders toppled from the mountain during the melting of the glaciers c. 10,000 years ago.

Friday, 2 September 2011

Introduction to Painting Course



Would you like to learn how to draw and paint? I will be tutoring a 10 week painting course for adults via South Lanarkshire Leisure and Culture (at Hamilton Town House, 103 Cadzow Street, Hamilton, ML3 6HH), starting 19th September 2011 (7pm - 9pm).

"This course will enable you to develop fundamental skills in drawing and painting, covering aspects such as line, scale and proportion - as well as how to create shade and tone. You'll learn how to mix colour and use different media such as watercolours, acrylic and oils to create still life, landscape and portraits. The course should be of particular interest to those who wish to create realistic drawings and paintings"

The 10 week course is great value at £77 (£67 concessions) and all materials are included in the price.

So if you've ever wanted to learn the basics of drawing and painting,  in a friendly environment with support and guidance from a professional artist, now's your chance! It's never too late to learn.

For more information and to sign up, download the brochure HERE or phone 01689 452 299 or email artsdevelopment@southlanarkshire.co.uk.

Friday, 26 August 2011

Solitude

After a few busy weeks, I needed more than ever to get away into the hills; especially with the summer maturing by the day and the threat of darkening nights snapping at my heels.

Location of choice this time was the Eastern Mamores, a range of hills I'm not familiar with but which were sufficiently both remote and accessible for a quick one night's wild camping/sketching trip.

I did try to get my rucksack's weight down to a manageable level, but with paints and pads in addition to the necessities of food/water/tent/clothes/bedding/midge repellent, the best I could manage was 13kg. So with the weight of a toddler on my back I set of up the stalker's path from the old Mamore Lodge Hotel. The path winds NE up the hillside from Kinlochleven and after just over 3 miles a bealach is reached at around 2,460 ft.

It was a rocky, grassy, mossy, lichen-y area with a lochan or two and views over to the Glencoe Hills. I didn't stay long but forged ahead to the north, the path switchbacking down to a river in a pretty gloomy, boggy glen. The second burn successfully forged, it was a long and dreary slog back up the other side to the next bealach. 7 miles and 4 hours after starting out I found myself where I wanted to be; a flat area at 2,400ft stretched between two very different mountains; Binnein Mor and Binnein Beag (Big Peak, Small Peak respectively). Massive slabs of hard white quartz protruded erratically from the ground - there was no breeze and all was quiet, the only sound my clothes rustling and my own breathing.

Before I could contemplate sketching, I had to take care of the basics. Tent up, bedding out, water source located, food cooked and eaten. I know that I have little desire to be creatively productive if I don't have shelter/water/food arranged. A good thing too, as a drawing or watercolour no matter how successfully executed will be of limited use it the weather turns and I get cold and wet.

Due to the eerie lack of a breeze the midges were out in force, and being the only mammal around, I was obviously Dish of the Day and was forced to retreat to the tent for a while. Luckily a breeze got up around 8pm and I was able to watch the sky changing from light grey, to pink, to red and got a bit of sketching done.

The temperature plummeted as soon as the sun disappeared behind the Movern Hills, my breath puffing out in little clouds. With the fading light, dropping temperature, silence and absolutely no distractions, there was nothing else to do but sleep. So I said goodnight to Ben Nevis and ensconced  myself in sleeping bag.

 The next day the light was a little flat, a little disappointing as it seemed as though I was walking in perpetual gloaming, finding it hard to judge the passage of time with no shadows to watch. I dallied in my solitary playground for a few hours, climbed a couple of peaks and encountered many ptarmigan. Clumsily climbing up out of the gloomy glen again I looked down to see a herd of red deer flowing silently across the landscape, not constrained by a need for paths and solid footholds. I wonder what they make of the humans, walking so slowly and awkwardly on large feet, slipping and wobbling, every step considered.

After 28 hours of wandering, contemplating, sketching and just looking, I was back at the car. Back into the throng, back to conversations and radio and TV and twitter and rolling news and traffic lights and roundabouts. But somewhere in the back of my head I'm hanging onto the silence and calm of that night on the hill.


Western edge of Ben Nevis

Tuesday, 19 July 2011

Julie Arbuckle - Solo Show




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My vision is 20/20

About 20 weeks ago I planned out my workload for my first solo exhibition. 20 weeks, 20 paintings and two weeks to prep the work for hanging (and let it dry).

detail from a painting - Julie Arbuckle 2011

The other day, having 20 paintings ready and prepped under my belt, I realised the exhibition space really needed a BIG work, as I have a BIG wall to fill. As is happened, I had a large canvas all ready made up and waiting for me, leaning against the wall quietly for the last few months in my studio-barn. I picked it up, brushed the spiders off it and started throwing paint at it.

Not the biggest piece I've ever done, it's about 70cm x 150cm.

A snap decision, now I'm fully committed to producing what will probably become the focal-point of the exhibition and I have just 5 days to complete it. So, in spite of the sensible planning and actually managing to stick to the work-schedule I set myself, I now find myself in a crazed semi-panic, frenetically painting, willing the layers to dry faster, physically wrestling with the viscous paint and thirsty canvas, cajoling, pleading, cursing and tricking the paint into submission.

I haven't set out with an idea and I don't know what I'm painting. The only underpinning element of coherent this work has, so far, is that it must flow.

I think I work best under pressure. I was so organised there was very little pressure, so I've gone and created some chaos to work in.

Wednesday, 15 June 2011

Away a walk

Seeing as I've managed to cut two of my fingertips on my right hand (index and middle) and cannot currently use a pencil or paintbrush properly, I thought I'd type up my last mini research trip using my remaining unscathed digits.

A'Chrois from Beinn Narnain Sketch
(Mini research trip = less than 24 hours away from home)

A couple of weeks ago I seized the only day for weeks when it wasn't forecast to rain to venture up Beinn Narnain in the Arrochar Alps (an area just west of Loch Lomond, Scotland). The last time I climbed the peak was over ten years ago when my Dad and I walked up the grassy north-west slope having conquered The Cobbler first. This time around I wanted my scenery a bit more dramatic, and had heard of a rocky buttress on the south-east slope ominously named The Spearhead - so I packed some tuna sandwiches and headed out.

Setting off from the car at 0830hrs after and hour and 20 minute's drive, it was cold, raining and with low cloud cover. So much for the weather forecast, I thought. Within half an hour I was soaked through from the condensation inside my waterproof jacket but at least I was warm. The path got a bit boggy, and I noticed for the first time these beautiful and strange wee plants:
Pinguicula vulgaris

...which I have since found out are Common Butterwort and insectivorous; they trap and digest small creatures on their sticky leaves. Any plant that eats midges is a favourite plant of mine.


Arrochar appears through the cloud
There was some easy scrambling in a couple of places; all good fun in the rain. After about an hour I climbed through the cloud base, and Lo! there was light and better weather above. I rested and watched as the cloud rapidly rose above me again, causing a dizzying sensation as the hillsides opposite loomed into view only to be obliterated in moments by white nothingness.

I tried to sketch but it was too cold to sit still for long and I wished I had brought a woolly hat (yes, this is Scotland in June). I climbed up and over a false summit and there I saw what lay ahead: The Spearhead.
There is a path up there...somewhere
...which thankfully was not as scary as it looked from this angle.  I just followed the path and kept climbing (stopping to sketch every so often), pulling myself up onto wet rocks and hoping that the rain wouldn't dislodge any of the large outcrops overhanging my path. Being so chilly, I was glad of my decision that morning to don two pairs of trousers.  It was so wet that I used the water pooling on the mica-schist boulders to paint a couple of watercolour sketches with. The gloomy weather and lifting cloud gave the Spearhead an especially foreboding air, and I felt as though I was entering a rocky mountaintop fortress, likely to be guarded by Orc-like creatures and mystical forces. 

Anybody seen any Orcs?
 But the cloud eventually lifted and with my imagination in check, I had some cracking views of the Cobbler as I made the summit to eat my lunch. I stayed a while, then picked my way slowly down the grassy side, joining the main path which joins Ben Ime, Beinn Narnain and The Cobbler. By this time the place was hoaching with people, all of whom probably waiting until the bad weather of the early morning had passed. By the time I got back to the car at 3pm, people were actually wearing shorts and sandals and my thermometer registered 24oC. I felt slightly over-dressed wearing two pairs of trousers and struggled to imagine how I had found it too cold to sit and sketch just 4 hours earlier. Still, I had some useful sketches and thoughts; especially in the boulder-field on the descent. So by my standards, a completely successful trip.

The Cobbler from Beinn Narnain

Friday, 10 June 2011

One-Woman, One-Day Show!

This Sunday (12th June 2011) as part of the Calderglen Country Fair, I will be exhibiting and painting in the Courtyard Gallery at Calderglen Country Park.

It's a chance to come along and meet me and see some of my recent work in an informal and fun setting. I may even bring my easel and do some painting on the spot!

Photo: Iain Thompson


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